595 Royalty-Free Audio Tracks for "Musical Intervals"

*11 steps in 16-et on C = G♯ (Easley Blackwood's notation). Equal-tempered: 211/16:1 = 825 cents. MIDI pitch bend: 76,57

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

*Hundred-seventeenth harmonic on C = B♭. Just: 117/64 = 1044.44 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 13-limit. MIDI pitch bend: 28,78

*Thirty-first harmonic on C = B. Just: 31:16 = 1145.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 31-limit. MIDI pitch bend: 53,78

*Hundred-fifteenth harmonic on C = A♯+. Just: 115:64 = 1014.59 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 23-limit. MIDI pitch bend: 86,68

*1 step in 15 equal temperament on C = C↑ (Easley Blackwood's notation). Equal-tempered: 21/15:1 = 80 cents. MIDI pitch bend: 76,57

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

23-tet scale on C. 1200 cents/23 = steps of 52.17 cents. MIDI pitch bend matches intervals.

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

*Hundred-fifth harmonic on C = A+. Just: 105:64 = 857.10 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 7-limit. MIDI pitch bend: 34,82 on m6

*Fifty-seventh harmonic on C = B♭. Just: 57:32 = 999.47 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 19-limit. MIDI pitch bend: 106,95 on M6

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

*Hundred-twenty-first harmonic on C = B↑↑♭-. Just: 121:64 = 1102.64 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 11-limit. MIDI pitch bend: 108,64

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

Octaves marked lowest octave. Created by Hyacinth (talk) 07:51, 3 January 2012 (UTC) using Sibelius 5.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

*12 steps in 15 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 212/15=8/10=4/5:1 = 960 cents. MIDI pitch bend: 26,83 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~154,50 on Bb

36-tet scale, or sixth-tone (1200/36 = 33.33 cents) scale, on C. MIDI pitch bend appears to match intervals.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

*Quarter-comma meantone minor third on C. 6:5÷(81:80)1/4 = 310.26 cents.

*Octave (2/1) minus major chroma ((2:1)/(135:128)=256:135), 135th subharmonic on C = C♭- (Ben Johnston's notation). Just: 256/135 = 1107.82 cents. Limit: 5-limit. MIDI pitch bend: 64,66

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*23 steps in 31 equal temperament on C. Equal-tempered: 223/31:1 = 890.32 cents. MIDI pitch bend: 116,60 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M6 on ~116,60.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

13-limit just decatonic scale on C; 1/1, 12/11, 32/27, 9/7, 4/3, 132/91, 3/2, 18/11, 16/9, 176/91, and 2/1; followed by the tonic chord: C, E, G.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Example of flats in music on piano. An A, then A♭.  This image was created with Audacity.

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

*26 steps in 72 equal temperament on C. Equal-tempered: 226/72=13/36:1 = 433.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 434.375 cents rather than 433.342. New version a M3 on 85,74 for 433.3251953125 cents rather than 433.342.

*22 steps in 72 equal temperament on C. Equal-tempered: 222/72=11/36:1 = 366.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 365.625 cents rather than 366.674. New version a m3 on 42,85 for 366.6503906250 cents rather than 366.674.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

Full diatonic fifteenth chord from Listz on B

Fifteenth chord from Perry on C

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

*14 steps in 31 equal temperament on C. Equal-tempered: 214/31:1 = 541.94 cents. MIDI pitch bend: 54,77

*Alpha scale minor third on C. (3 : 2)4/9 : 1 = 311.98 cents. MIDI pitch bend: 107,67 MIDI pitch bend on 108,67 for 312 cents